![]() The Emerson String Quartet has recorded over thirty acclaimed recordings with Deutsche Grammophon since 1987, eight of which have won Grammy® Awards-including two for Best Classical Album, an unprecedented honor for a chamber music group. The 52nd Grammy® Awards will be held on Sunday, January 31, 2010. 2 "Intimate Letters" and Bohuslav Martinu's Three Madrigals for Violin and Viola. ![]() 1 "after Leo Tolstoy: The Kreutzer Sonata" String Quartet No. It does not store any personal data.Named "America's greatest quartet" by Time Magazine, the Emerson String Quartet has received a Grammy® nomination in the category "Best Chamber Music Performance" for its May 2009 recording Intimate Letters, an exploration of the personally expressive works of two great Czech composers: Leoš Janácek's String Quartet No. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". ![]() The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. It was clearly a personal reference that will probably remain a mystery, but it is entirely apt for a work that embodies such an intense musical dialogue between the four instruments. There has been speculation about the title and the likeliest explanation is that it has some connection with the fear of death which Sibelius confided to his diary in London. Voces intimae is a characteristically bold exploration of musical form: there are five movements (including two scherzos), with a highly expressive slow movement at the centre. The first performance took place a year later, on 25 April 1910, in Helsinki. Work continued throughout March (at the end of which he left London) and the quartet was finished in Berlin on 15 April. Newmarch intervened, there was no more Beethoven, and Sibelius was able to make good progress on the quartet in Kensington.Īccording to his diary, he began the second movement on 16 February, and sketched the third on 25 February. ’ Word travelled in the neighbourhood that a composer was staying, emboldening one elderly lady to play Beethoven’s ‘Moonlight’ Sonata repeatedly, as a sign of solidarity. She found quiet rooms for him in Kensington and having installed him, ‘left the composer to settle down (as I hoped) to write his string quartet, Voces initimae. He first stayed at the Langham Hotel (across the road from Queen’s Hall) but asked his friend Rosa Newmarch to find cheaper lodgings where he could also work in silence. In February and March 1909, Sibelius came to London to conduct concerts of his own music and it was during this stay that he composed most of the Voces intimae (Intimate Voices) quartet.
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